Chromas – The Association of Contemporary Music


Trieste Prima 2017 concluded by the Slowind Quintet

On December 6 at the Museo Revoltella Auditorium the wind quintet Slowind concluded the Trieste Prima 2017 contemporary music festival. They played Five Studies by Niels Rosing-Schow, five musical moments, which delicate features resembled five miniatures, Dogodki II (Events II) by Lojze Lebic, a gorgeous theatrical piece and Flamen by Ivan Fedele. In this composition the author structurates the musical space in an architectural way, indeed, the five players are disposed at a certain distance to create suggestive resonances. Introducted by Corrado Rojac, the concert was concluded by the famous Wind Quintet op. 26 by Arnold Schönberg, a masterpiece that changed the history of music.

The next Trieste Prima festival will start in 2018, November. (Photo: the Slowinds)




The Trieste Prima 2017 contemporary music festival will be concluded by the Slowind quintet at the Museo Revoltella (via Diaz 27, Trieste) on December 6 (at 18.00).


On December 5 at 17.30 there is a special evening. At the Museo della Comunità ebraica (via del Monte 5/7, Trieste) our vice-president Monika Verzár Coral is presenting the first Italian showing of the silent film Die Stadt ohne Juden. Directed by Hans Karl Breslauer in 1926 to satirize the anti-Semitism, it was based on the book of the same title by Hugo Bettauer.



Duo Novalis and Giorgio Klauer bewitched the audience

On December 1 at the Museo Revoltella the Trieste Prima 2017 contemporary music festival presented Duo Novalis. The pianists Stefania Amisano and Claudio Cristani played an ambitious program. The Clementi's Madrigale evoked a really mechanical atmosphere, typical for the Sicilian composer; Kurtág's Games echoed with the appropriate "autobiographical" intention. The music by Lin - and its background plaintive echoes - were an interesting surprise; Deutsch's Souvenirs d'une aura and Winkler's Black Mirrors II  were, respectively, a "perfect classical" and an "incredibly symphonic" sound challenge. The Mirrors were supported by Klauer's fantastic sound direction. The event was a breathtaking experience. (Photo: Duo Novalis)



Four saxophones for Mario Marzi

On November 22 at the gorgeous Sala Tartini of the Trieste Conservatory, the Trieste Prima 2017 contemporary music festival presented the saxophonist Mario Marzi. The soloist was accompained by the Scuola di Musica e Nuove Tecnologie of the Conservatory; as a matter of fact, some pieces were for saxophone and live electronics. Among the composers Marzi played there was Giampaolo Coral and his Munch as well. In this case the theme of the festival, "music and vocalism", explored the sublimation of the term, because the Trieste composer wrote the piece following an internal resonance to Munch's paintings. The concert was fantastic, Marzi begun it playing the alto saxophone, but the second piece was performed on the soprano and the next on the baritone and so on, the soloist played all the saxophone family. Spectacularly. The audience applauded thunderously for a long time. (Photo: Mario Marzi)